Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi 3 years long exposures: read “The passing of time“, (on Socks).
my favorite college experience is when i had a 7am class and the kid next to me literally poured a monster energy drink into his coffee said “i’m going to die” and drank the whole thing
alright so i basically met myself at uni, i mean, a freaking tall and handsome gay guy version of myself, i love him
I see—I’ve always seen—how insanely talented you are. You’re gonna do it all—movies, concerts, Broadway. You may not know the name Blaine Anderson yet, but you will, soon, when it’s lit up all over Broadway. I just want to shine a light on what the world should see.